Ho-hum. The debate as to what is and isn’t crime fiction rumbles on, for the most part between elves who really should be too busy polishing the Grand Vizier’s opal-encrusted codpiece for such flibberty-gibbet hair-splitting. Anyhoo, Michael Collins (right) (LOST SOULS, THE RESURRECTIONISTS) is considered by many to be more of a literary writer than a genre one, despite the fact that his novels often employ crime fiction tropes. In the vid below, Collins gets to the pith of what constitutes ‘genre-blending’ in the context of THE SECRET LIFE OF E. ROBERT PENDLETON (aka THE DEATH OF A WRITER) …
Ho-hum. The debate as to what is and isn’t crime fiction rumbles on, for the most part between elves who really should be too busy polishing the Grand Vizier’s opal-encrusted codpiece for such flibberty-gibbet hair-splitting. Anyhoo, Michael Collins (right) (LOST SOULS, THE RESURRECTIONISTS) is considered by many to be more of a literary writer than a genre one, despite the fact that his novels often employ crime fiction tropes. In the vid below, Collins gets to the pith of what constitutes ‘genre-blending’ in the context of THE SECRET LIFE OF E. ROBERT PENDLETON (aka THE DEATH OF A WRITER) … 
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